Angry Anderson's even angrier sibling writes...
Lady Gaga - Love Game (Pissdiscs)
Seriously. Come on. What depths are there left to plunge after the lyrics "lets have some fun, this beat is sick / i wanna take a ride on your disco stick"? Actually, thats a rhetorical question. There are no depths left to plunge thanks to America's female answer to Beavis sniggering her way through another turgid bucket of sick that she can't perform live for toffee.
Jordin Sparks - Let The Music Play (Felchsound)
The world doesn't need another weak cover of Shannon's Let The Music Play. Especially when that weak cover features some abysmally poor rewritten verses about boyfriends. The mystique and starstruck vibe of the original has been replaced by words which the record label would describe as an anthem to clubbing in the same way that Play by Jennifer Lopez was. Horrible.
Escala - Children (The Phantastic Soundz of Monkeydung)
Oh joy of joys. Britain's Got No Talent's number one electric string playing muppets have recorded a cover version of Robert Miles' Children which joylessly sucks all the life out of it like a spider extracting the lifeblood from an insect. It really is that horribly bad and a shameless attempt to make money from something to which their regurgitation adds absolutely nothing.
Friday, 28 August 2009
Sunday, 16 August 2009
Embarassing Single Reviews....
I should be ashamed of some of the things i'm about to write... Perhaps my standards are on holiday.
3-Oh!-3 - Don't Trust Me (Asylum)
Apparently a boyband from the states. This bit of inoffensive daytime radio power-fluff is quite a good listen with swagger to burn more hooks than Lady Gaga could fit on an entire album, plus bonus disc. Of course they're not as cool or in favour as some truly terrible acts at the moment, but if they produce more tunes like this they've got a potentially bright future.
Ian Brown - Stellify (Polydor)
A bit of an odd title, but don't let that put you off. This is Ian Brown's most instant song since F.E.A.R and begs for lots of airplay and attention, particularly as the 20th anniversary of the Stone Roses album is being trumpeted so much. This upbeat tune should be one of the anthems of the summer - perhaps we could get it swapped so that this gets played every other time Little Boots' Remedy gets playlisted.
Keri Hilson ft KanYe West and Ne-Yo - Knock You Down (Interscope)
I know its been around for quite some time now, but this has properly grown on me. What on paper looks like it should be a complete non-starter for my tastes, is actually quite uplifting and positive for an American R&B record. As it has burbled away fairly quietly in the charts over the past two or three months, it has gently become embedded in my mind without the damage that comes from the overplaying that this genre so often suffers from.
David Guetta ft Akon - Sexy Chick (Virgin)
The alarm bells should have started ringing when i heard the "featuring Akon" tagline, but i approached it with an open mind. Baaaaaad mistake. I'm concerned that David Guetta has been sold to the Americans following from the passable collaboration with Kelly Rowlands on When Love Takes Over. This tedious bit of bog-standard Akon toss is a shambolic slur on Guetta's name and seems to ignore all the soulful work he's done with Chris Willis in the past.
Jeremih - Birthday Sex (Def Jam)
Caution: Insultingly awful slow R&B song aimed at 15 year old chav boys who will make their 13 year old girlfriends pregnant. Should be outlawed under international law for that very reason. And learn how to spell your fucking name while you're at in jail as well.
Bloc Party - One More Chance (Wichita)
Chicago house barnstormer from the recently on-form Bloc Party. Sadly, the UK single release has been bodged on to two vinyl formats, neither of which feature the excellent dance remixes from the likes of Tiesto that have been doing the rounds on promo. If Bloc Party continue this interesting new direction that was started by the Intimacy album, then their future could be really exciting.
Sean Kingston - Fire Burning (RCA)
This is the really embarassing one. I've never been able to listen to anything previously recorded by Sean Kingston without wanting to punch a small child, steal their sweets and then taser them. But there is something about this record which is far more upbeat and likeable than anything else he's produced before, especially that piss poor Beautiful Girls offering. In fact, i'd even go as far as to say this is a quite good dance record for anything coming from the wrong side of the atlantic. Bonus points for not having his portly, slappable face on the cover as well.
Little Boots - Remedy (679 / Atlantic)
My remedy for Little Boots is not to listen to her god awful whining.
Tinchy Strider ft Amelle - Never Leave You (Island)
Tinchy Strider has come a very long way since his mainstream debut, Striderman. He's gradually moved over to a far more poppy sound and his positive upbeat tunes are now a welcome fixture in radio schedules.
Sugababes - Get Sexy (Island)
Simply hideous electro-girlpop shit aimed at the sort of people who think La Roux's lyrics are deep and meaningful. To paraphrase one of the lyrics: Silly girls. They actually buy this toss.
3-Oh!-3 - Don't Trust Me (Asylum)
Apparently a boyband from the states. This bit of inoffensive daytime radio power-fluff is quite a good listen with swagger to burn more hooks than Lady Gaga could fit on an entire album, plus bonus disc. Of course they're not as cool or in favour as some truly terrible acts at the moment, but if they produce more tunes like this they've got a potentially bright future.
Ian Brown - Stellify (Polydor)
A bit of an odd title, but don't let that put you off. This is Ian Brown's most instant song since F.E.A.R and begs for lots of airplay and attention, particularly as the 20th anniversary of the Stone Roses album is being trumpeted so much. This upbeat tune should be one of the anthems of the summer - perhaps we could get it swapped so that this gets played every other time Little Boots' Remedy gets playlisted.
Keri Hilson ft KanYe West and Ne-Yo - Knock You Down (Interscope)
I know its been around for quite some time now, but this has properly grown on me. What on paper looks like it should be a complete non-starter for my tastes, is actually quite uplifting and positive for an American R&B record. As it has burbled away fairly quietly in the charts over the past two or three months, it has gently become embedded in my mind without the damage that comes from the overplaying that this genre so often suffers from.
David Guetta ft Akon - Sexy Chick (Virgin)
The alarm bells should have started ringing when i heard the "featuring Akon" tagline, but i approached it with an open mind. Baaaaaad mistake. I'm concerned that David Guetta has been sold to the Americans following from the passable collaboration with Kelly Rowlands on When Love Takes Over. This tedious bit of bog-standard Akon toss is a shambolic slur on Guetta's name and seems to ignore all the soulful work he's done with Chris Willis in the past.
Jeremih - Birthday Sex (Def Jam)
Caution: Insultingly awful slow R&B song aimed at 15 year old chav boys who will make their 13 year old girlfriends pregnant. Should be outlawed under international law for that very reason. And learn how to spell your fucking name while you're at in jail as well.
Bloc Party - One More Chance (Wichita)
Chicago house barnstormer from the recently on-form Bloc Party. Sadly, the UK single release has been bodged on to two vinyl formats, neither of which feature the excellent dance remixes from the likes of Tiesto that have been doing the rounds on promo. If Bloc Party continue this interesting new direction that was started by the Intimacy album, then their future could be really exciting.
Sean Kingston - Fire Burning (RCA)
This is the really embarassing one. I've never been able to listen to anything previously recorded by Sean Kingston without wanting to punch a small child, steal their sweets and then taser them. But there is something about this record which is far more upbeat and likeable than anything else he's produced before, especially that piss poor Beautiful Girls offering. In fact, i'd even go as far as to say this is a quite good dance record for anything coming from the wrong side of the atlantic. Bonus points for not having his portly, slappable face on the cover as well.
Little Boots - Remedy (679 / Atlantic)
My remedy for Little Boots is not to listen to her god awful whining.
Tinchy Strider ft Amelle - Never Leave You (Island)
Tinchy Strider has come a very long way since his mainstream debut, Striderman. He's gradually moved over to a far more poppy sound and his positive upbeat tunes are now a welcome fixture in radio schedules.
Sugababes - Get Sexy (Island)
Simply hideous electro-girlpop shit aimed at the sort of people who think La Roux's lyrics are deep and meaningful. To paraphrase one of the lyrics: Silly girls. They actually buy this toss.
Holiday Radio
Something bizarre has been happening and for once, i can't decide whether its a good thing or a bad thing. The first week of Chris Moyles' summer break was taken by Scott Mills, but as a result of the Scott Mills Musical happening at Edinburgh during the second week, a different stand-in was needed. The result was the slightly odd combination of Vernon Kay and Comedy Dave.
Now when Vernon stood in for Moyles during the Comic Relief Kilimanjaro Climb, the show worked quite nicely as the features mainly stayed in place and Vernon had the rest of the team to bounce off. Vernon and Dave's show for the past week has sounded a bit local radio. Some of the features have been downright embarassing, where some of it has worked quite well. Overall, i just can't decide what the package was. Whereas there is a genuine chemistry of self-deprocating genius when Chappers and Dave are standing in on various weekend shows, the combination of Vernon and Dave seems to think it is far cooler than it actually is.
Vernon Kay's old Sunday morning Lie-In show was a painfully poor, the radio equivalent of his gormless gurning gameshow host persona, whilst his Saturday morning R1 show is fairly good. So perhaps its just a case of Vernon only working as a radio presenter in certain formats?
As a side note, the current Sunday morning Lie-In host, Sara Cox continues to go from bad to worse. She seems to be ignoring the traditional gentle Sunday format in favour of being shouty and playing music that doesn't fit in with the remit at all. Bring back Dick & Dom, all is forgiven!
Now when Vernon stood in for Moyles during the Comic Relief Kilimanjaro Climb, the show worked quite nicely as the features mainly stayed in place and Vernon had the rest of the team to bounce off. Vernon and Dave's show for the past week has sounded a bit local radio. Some of the features have been downright embarassing, where some of it has worked quite well. Overall, i just can't decide what the package was. Whereas there is a genuine chemistry of self-deprocating genius when Chappers and Dave are standing in on various weekend shows, the combination of Vernon and Dave seems to think it is far cooler than it actually is.
Vernon Kay's old Sunday morning Lie-In show was a painfully poor, the radio equivalent of his gormless gurning gameshow host persona, whilst his Saturday morning R1 show is fairly good. So perhaps its just a case of Vernon only working as a radio presenter in certain formats?
As a side note, the current Sunday morning Lie-In host, Sara Cox continues to go from bad to worse. She seems to be ignoring the traditional gentle Sunday format in favour of being shouty and playing music that doesn't fit in with the remit at all. Bring back Dick & Dom, all is forgiven!
Thursday, 30 July 2009
Lily Allen
I quite liked the singles Lily Allen has released from her latest long player Its Not Me, Its You. On daytime radio they gently fit in to the schedule, even if Not Fair was fairly filthsome. I took the opportunity to listen to the whole album earlier this week and had to stop after about eight tracks because it just gets a bit too formulaic. In the confines of an album, each track is an overblown syrupy pop song peppered with scattergunned filth and swearing. Once you've twigged this, its impossible to listen to the album without getting enraged and track eight (the subtley titled Fuck You) was enough for me.
Its a shame because some songs (such as current single 22) show a bit of variance, but the default seems to be reverting to the standard formula of the rest of the album, which gets tired very quickly. There is only so much you can achieve when working in such tight confines.
Its a shame because some songs (such as current single 22) show a bit of variance, but the default seems to be reverting to the standard formula of the rest of the album, which gets tired very quickly. There is only so much you can achieve when working in such tight confines.
Friday, 17 July 2009
Shuffling the pack...
Radio 1 is having a reshuffle in September, of which details have recently been released. I have no opinions on this.
Not really.
Weekday early mornings: Dev replaces Greg James
Greg James has been doing a sterling job on early mornings. I know this because when he hasn't been on the early morning slot and i've had an early start, i've found whoever has been on instead profoundly irritating. Dev has done a couple of short stints on early breakfast and sounded like a fish out of water. He also started hosting weekend breakfast two weeks ago, plugging it as an "entirely new show", obviously already knowing he was due to move on within three months. It seems like the revolving door of R1's weekend breakfast slot is still alive and well, the slot struggling to hold anybody for more than a few months as well as being the breeding ground for some truly awful "talent".
Perhaps Dev will adapt to the slot and settle in, but at the moment he sounds short of ideas and devoid of anything interesting to say. He'd be a perfect presenter for a Kiss daytime show.
Weekday breakfast: Moyles, Vitty, Byrne, Prideaux, Jones, Jones and (to a lesser extent) Fincham retained.
Chris Moyles and his exceptional team dodge the bullet with a one-year extension to their tenure on the breakfast show. Given that the show has sustained excellent ratings despite the printed media's attempts to push Moyles off air, this is entirely justified. I personally hope that the show continues to stay on air for as long as it remains fresh and popular.
Weekday mornings: Fearne Cotton replaces Jo Whiley
Jo Whiley has been a stalwart of Radio 1 for getting on for two decades, first as part of the seminal Evening Session (with Steve Lamacq) during the 90s and later moving to daytimes. Whiley has retained her love of the alternative and off-beat throughout, introducing many tunes to listeners who would otherwise have not heard them (including myself - i'd probably never had bought a copy of Sebastien Tellier's "La Ritournelle" had i not heard it on Whiley's show) and many will miss this aspect of her presenting.
Her replacement, childrens TV presenter Fearne Cotton, is probably making a very shrewd career move. It is particularly notable that since plastering herself with tattoos, the fickle TV industry have been less willing to book her as a mainstream presenting face, so a full time radio slot is a solid career choice that you can't argue with. Hopefully Cotton will show more dedication to this than she has done to the weekend breakfast and late afternoon shows she has co-hosted for the past couple of years with regular co-host Reggie Yeates, where other on air talent has been heard to refer to it as "the Fearne or Reggie show".
Having heard Cotton cover for both Whiley and Edith Bowman before, i'm not enthusiastic about her as a replacement for Jo, but she's aeons better than some gushing, guffawing idiot like Annie Mac or Nick Grimshaw whose scripted enthusiasm is just painful. Given that R1 are clearly moving to reduce their average presenter age, Cotton isn't the perfect choice, but it could have been far worse.
Weekday afternoons: Greg James replaces Edith Bowman's Film Show
Edith Bowman has been living on borrowed time since the departure of Colin Murray from the afternoon slot. The re-branding of the show as a film-centric vehicle proved to be the final redirection under Bowman's control. I've commented in the past about some of the features on Bowman's show (such as "My Life in Music") which are badly scheduled for the target audience and i stand by this, so hopefully Greg James will bring across the energy of his morning show to some new output in this slot. James has been developing excellently since starting out on R1, not sounding out of his depth when covering for Scott Mills, even if he does sound like he needs somebody to bounce off every so often.
Weekday drivetime: Scott Mills retained
Now, while researching this i discovered that Scott Mills is actually the same age as Chris Moyles, having always assumed him to be younger. Anyway, the output of Mills' Drivetime show has been consistently good over the past couple of years, with the only possible weakness being the Friday 6pm "Friday Floorfillers", which specialises in sub-Kiss levels of bad dance remixes of songs which don't benefit from the Four-to-the-Floor treatment.
Weekday evenings: No changes yet publicised.
Weekend early breakfast...
Whoever decided the "specialist" shows should overspill from the night before until 7am is making a serious mistake. We're not all into Annie Nightingale's brand of slurred twaddle about how Dubgrime&bass is going to be bigger than Jesus (although Sunday morning's Ras Kwame is considerably better).
Weekend breakfast: Dev departs...
As usual, the "exciting new" presenter of Weekend Breakfast departs after a few months, so perhaps we can expect another couple of months worth of Chappers and Dave with their Motorway Service Area related features. I've got my fingers crossed. The show has desperately needed a stable presenter since Spoony left (since replaced by Nihal, Fearne & Reggie, Nick Grimshaw, a Chappers & Dave stint and Dev)
Saturday morning: Vernon Kay retained.
Sunday morning: Sara Cox retained (the Lie-in show).
Vernon Kay's Saturday morning show continues to be entertaining, with Kay also managing to occasionally fill in for Moyles on weekday mornings whilst gelling well with the rest of the team. Sadly, Sunday morning's Lie-in show has been completely wrecked by Sara Cox whose abrasive, self-obsessed presenting style doesn't fit in with the laid-back attitude of the show, nor does the often painfully bad music chosen since she took over. Regular readers of this blog will know i love Chappers & Dave and their tenure preceeding Cox was exactly what the Lie-in show needed - relaxed, enjoyable radio playing a much better variety of music. I can't help feel that somebody with the musical knowledge of Jo Whiley would be much better suited to taking over the Lie-in slot than....
Weekend afternoons: Jo Whiley replaces Nihal.
Nihal has carved out an interesting niche in weekend afternoons, providing a well refined and well paced show. It is a shame therefore to see a man who is on top of his game replaced by somebody who might find it difficult to adjust to a completely different slot to the one she currently fills. It is obvious that Nihal is currently one of the hardest working men on radio, having often been on Radio 1, Five Live and Asian Network all within the same week, so perhaps he is looking to calm down his schedule a bit.
Weekend early evening (Request/Chart): Reggie Yeates goes solo.
As Fearne Cotton departs to the Weekday morning show, Reggie Yeates takes over the two weekend shows singlehandedly. Out of the two, i think Yeates will struggle more with going solo as his style seems to struggle more when he doesn't have his playmate to bounce off.
So then Smartarse, what would you have done?
Well, some aspects continue to be pleasing, particularly that the supposedly trendy oaf George Lamb still isn't allowed anywhere near Radio 1.
If we go in order, i'd have kept Greg James on early breakfast as he is very good at it.
When Moyles does step down from R1's Breakfast show, i personally think his replacement should be Zane Lowe. I know it sounds nuts, but think about it - Lowe's style is the complete opposite of Moyles; where Moyles can be lethargic, Lowe is a comparative Duracell bunny. Where Moyles is often accused of not playing enough records, Lowe not only plays them but massively enthuses about the music he plays. Lowe's two bank holiday breakfast "takeover" shows have both been solid listening and demonstrating massive potential if Radio 1 wants to be taken seriously as a music broadcaster.
For weekday mornings, i'd be struggling to nominate somebody to replace Jo Whiley. Radio 1's daytime programmes have been notoriously difficult to get right. There have been some classics (such as Mark & Lard's afternoon show), but these are almost always remembered at the expense of some utter turkeys (Emma Forbes, anyone?). Perhaps Andy Parfitt could just admit he made a mistake and get Colin Murray back for the slot - at least then those who are complaining about R1 moving away from promoting cutting edge music might be satiated.
Again, the afternoon show is a difficult one to call. If Radio 1 want to continue the film obsession theme of the show, perhaps they should just go the whole hog and employ James King as a full time presenter.
Of course, it is taken as something of a given that when Moyles leaves breakfast, Scott Mills will take over. As Mills has been very entertaining when Moyles is on leave, i can't fault this as a strategy, but it doesn't really push the envelope very much. Greg James is almost sure to be promoted into Mills current drivetime post when it is vacated.
And what of the rest?
Well, i'd like to see Nihal retained in some form for mainstream broadcasting.
New talent for R1 also needs to be recruited from sources other than 1Xtra.
Presenters need to be recruited on account of them being passionate about what they do, not just fashionable.
I'd also like to hear a show where music criticism is allowed as well as praise - at the moment, Chris Moyles is the only presenter far enough above the line of fire to be able to do this. Perhaps a weekly, hourly show concerning additions to the playlist and an uncensored panel of critics would be a good route to take. I'd volunteer to be a panelist in the pilot.
Not really.
Weekday early mornings: Dev replaces Greg James
Greg James has been doing a sterling job on early mornings. I know this because when he hasn't been on the early morning slot and i've had an early start, i've found whoever has been on instead profoundly irritating. Dev has done a couple of short stints on early breakfast and sounded like a fish out of water. He also started hosting weekend breakfast two weeks ago, plugging it as an "entirely new show", obviously already knowing he was due to move on within three months. It seems like the revolving door of R1's weekend breakfast slot is still alive and well, the slot struggling to hold anybody for more than a few months as well as being the breeding ground for some truly awful "talent".
Perhaps Dev will adapt to the slot and settle in, but at the moment he sounds short of ideas and devoid of anything interesting to say. He'd be a perfect presenter for a Kiss daytime show.
Weekday breakfast: Moyles, Vitty, Byrne, Prideaux, Jones, Jones and (to a lesser extent) Fincham retained.
Chris Moyles and his exceptional team dodge the bullet with a one-year extension to their tenure on the breakfast show. Given that the show has sustained excellent ratings despite the printed media's attempts to push Moyles off air, this is entirely justified. I personally hope that the show continues to stay on air for as long as it remains fresh and popular.
Weekday mornings: Fearne Cotton replaces Jo Whiley
Jo Whiley has been a stalwart of Radio 1 for getting on for two decades, first as part of the seminal Evening Session (with Steve Lamacq) during the 90s and later moving to daytimes. Whiley has retained her love of the alternative and off-beat throughout, introducing many tunes to listeners who would otherwise have not heard them (including myself - i'd probably never had bought a copy of Sebastien Tellier's "La Ritournelle" had i not heard it on Whiley's show) and many will miss this aspect of her presenting.
Her replacement, childrens TV presenter Fearne Cotton, is probably making a very shrewd career move. It is particularly notable that since plastering herself with tattoos, the fickle TV industry have been less willing to book her as a mainstream presenting face, so a full time radio slot is a solid career choice that you can't argue with. Hopefully Cotton will show more dedication to this than she has done to the weekend breakfast and late afternoon shows she has co-hosted for the past couple of years with regular co-host Reggie Yeates, where other on air talent has been heard to refer to it as "the Fearne or Reggie show".
Having heard Cotton cover for both Whiley and Edith Bowman before, i'm not enthusiastic about her as a replacement for Jo, but she's aeons better than some gushing, guffawing idiot like Annie Mac or Nick Grimshaw whose scripted enthusiasm is just painful. Given that R1 are clearly moving to reduce their average presenter age, Cotton isn't the perfect choice, but it could have been far worse.
Weekday afternoons: Greg James replaces Edith Bowman's Film Show
Edith Bowman has been living on borrowed time since the departure of Colin Murray from the afternoon slot. The re-branding of the show as a film-centric vehicle proved to be the final redirection under Bowman's control. I've commented in the past about some of the features on Bowman's show (such as "My Life in Music") which are badly scheduled for the target audience and i stand by this, so hopefully Greg James will bring across the energy of his morning show to some new output in this slot. James has been developing excellently since starting out on R1, not sounding out of his depth when covering for Scott Mills, even if he does sound like he needs somebody to bounce off every so often.
Weekday drivetime: Scott Mills retained
Now, while researching this i discovered that Scott Mills is actually the same age as Chris Moyles, having always assumed him to be younger. Anyway, the output of Mills' Drivetime show has been consistently good over the past couple of years, with the only possible weakness being the Friday 6pm "Friday Floorfillers", which specialises in sub-Kiss levels of bad dance remixes of songs which don't benefit from the Four-to-the-Floor treatment.
Weekday evenings: No changes yet publicised.
Weekend early breakfast...
Whoever decided the "specialist" shows should overspill from the night before until 7am is making a serious mistake. We're not all into Annie Nightingale's brand of slurred twaddle about how Dubgrime&bass is going to be bigger than Jesus (although Sunday morning's Ras Kwame is considerably better).
Weekend breakfast: Dev departs...
As usual, the "exciting new" presenter of Weekend Breakfast departs after a few months, so perhaps we can expect another couple of months worth of Chappers and Dave with their Motorway Service Area related features. I've got my fingers crossed. The show has desperately needed a stable presenter since Spoony left (since replaced by Nihal, Fearne & Reggie, Nick Grimshaw, a Chappers & Dave stint and Dev)
Saturday morning: Vernon Kay retained.
Sunday morning: Sara Cox retained (the Lie-in show).
Vernon Kay's Saturday morning show continues to be entertaining, with Kay also managing to occasionally fill in for Moyles on weekday mornings whilst gelling well with the rest of the team. Sadly, Sunday morning's Lie-in show has been completely wrecked by Sara Cox whose abrasive, self-obsessed presenting style doesn't fit in with the laid-back attitude of the show, nor does the often painfully bad music chosen since she took over. Regular readers of this blog will know i love Chappers & Dave and their tenure preceeding Cox was exactly what the Lie-in show needed - relaxed, enjoyable radio playing a much better variety of music. I can't help feel that somebody with the musical knowledge of Jo Whiley would be much better suited to taking over the Lie-in slot than....
Weekend afternoons: Jo Whiley replaces Nihal.
Nihal has carved out an interesting niche in weekend afternoons, providing a well refined and well paced show. It is a shame therefore to see a man who is on top of his game replaced by somebody who might find it difficult to adjust to a completely different slot to the one she currently fills. It is obvious that Nihal is currently one of the hardest working men on radio, having often been on Radio 1, Five Live and Asian Network all within the same week, so perhaps he is looking to calm down his schedule a bit.
Weekend early evening (Request/Chart): Reggie Yeates goes solo.
As Fearne Cotton departs to the Weekday morning show, Reggie Yeates takes over the two weekend shows singlehandedly. Out of the two, i think Yeates will struggle more with going solo as his style seems to struggle more when he doesn't have his playmate to bounce off.
So then Smartarse, what would you have done?
Well, some aspects continue to be pleasing, particularly that the supposedly trendy oaf George Lamb still isn't allowed anywhere near Radio 1.
If we go in order, i'd have kept Greg James on early breakfast as he is very good at it.
When Moyles does step down from R1's Breakfast show, i personally think his replacement should be Zane Lowe. I know it sounds nuts, but think about it - Lowe's style is the complete opposite of Moyles; where Moyles can be lethargic, Lowe is a comparative Duracell bunny. Where Moyles is often accused of not playing enough records, Lowe not only plays them but massively enthuses about the music he plays. Lowe's two bank holiday breakfast "takeover" shows have both been solid listening and demonstrating massive potential if Radio 1 wants to be taken seriously as a music broadcaster.
For weekday mornings, i'd be struggling to nominate somebody to replace Jo Whiley. Radio 1's daytime programmes have been notoriously difficult to get right. There have been some classics (such as Mark & Lard's afternoon show), but these are almost always remembered at the expense of some utter turkeys (Emma Forbes, anyone?). Perhaps Andy Parfitt could just admit he made a mistake and get Colin Murray back for the slot - at least then those who are complaining about R1 moving away from promoting cutting edge music might be satiated.
Again, the afternoon show is a difficult one to call. If Radio 1 want to continue the film obsession theme of the show, perhaps they should just go the whole hog and employ James King as a full time presenter.
Of course, it is taken as something of a given that when Moyles leaves breakfast, Scott Mills will take over. As Mills has been very entertaining when Moyles is on leave, i can't fault this as a strategy, but it doesn't really push the envelope very much. Greg James is almost sure to be promoted into Mills current drivetime post when it is vacated.
And what of the rest?
Well, i'd like to see Nihal retained in some form for mainstream broadcasting.
New talent for R1 also needs to be recruited from sources other than 1Xtra.
Presenters need to be recruited on account of them being passionate about what they do, not just fashionable.
I'd also like to hear a show where music criticism is allowed as well as praise - at the moment, Chris Moyles is the only presenter far enough above the line of fire to be able to do this. Perhaps a weekly, hourly show concerning additions to the playlist and an uncensored panel of critics would be a good route to take. I'd volunteer to be a panelist in the pilot.
Lazy Politics and Boring Summer Records
Two singles that caught my ire this week....
Green Day - 21 Guns (Reprise Atlantic)
Green Day went all political on our asses with their "American Idiot" concept album, the concept being that punk bands could make music with a more meaningful sentiment than that managed by Sum 41. Sadly they are now taking themselves far too seriously, with the first single banging its insistent "Do you know your enemy?" chorus ad infinitum until the ears of listeners bled with RSI. This second single (just like "Boulevard of Broken Dreams") is slow, dreary and plodding which leads us to question whether Green Day are even still a rock band. The song itself is a lame rip off of Shawn Mullins' "Rockabye" and Scott McKenzie's "San Fransisco", but oh isn't it political as its talking about people being killed in wars.
Pitbull - I Know You Want Me [Calle Ocho] (Positiva)
Hooray. Its summer. Which means it is "summer anfem" time, innit? God give me strength. Take one portion each of the following: Steve Angello and Sebastian Ingrosso's "Umbrella"; The Bucketheads' "The Bomb" and some piss-poor lyrics of the "You know i wantcha". The net result, a massive hit bought by idiots everywhere, too dumb or blinkered to know the originals which were mercilessly fisted into this pathetic shambles. Positiva should be ashamed of releasing this bullshit.
Green Day - 21 Guns (Reprise Atlantic)
Green Day went all political on our asses with their "American Idiot" concept album, the concept being that punk bands could make music with a more meaningful sentiment than that managed by Sum 41. Sadly they are now taking themselves far too seriously, with the first single banging its insistent "Do you know your enemy?" chorus ad infinitum until the ears of listeners bled with RSI. This second single (just like "Boulevard of Broken Dreams") is slow, dreary and plodding which leads us to question whether Green Day are even still a rock band. The song itself is a lame rip off of Shawn Mullins' "Rockabye" and Scott McKenzie's "San Fransisco", but oh isn't it political as its talking about people being killed in wars.
Pitbull - I Know You Want Me [Calle Ocho] (Positiva)
Hooray. Its summer. Which means it is "summer anfem" time, innit? God give me strength. Take one portion each of the following: Steve Angello and Sebastian Ingrosso's "Umbrella"; The Bucketheads' "The Bomb" and some piss-poor lyrics of the "You know i wantcha". The net result, a massive hit bought by idiots everywhere, too dumb or blinkered to know the originals which were mercilessly fisted into this pathetic shambles. Positiva should be ashamed of releasing this bullshit.
Wednesday, 8 July 2009
Shocking third album syndrome
The Arctic Monkeys are back and Jesus H Christ, doesn't anybody who listens to Radio 1 know it. Jo Whiley played the new single "Crying Lightning" twice on Tuesday and since then i think every daytime show has been duty bound to play it. For those of us who like to have the radio on in the background all day, its getting interminable. If it were not an Arctic Monkeys single, it wouldn't be getting played at all, let alone every two hours. It sounds like a watered down QOTSA backing track (thanks to Josh Homme's production) with a watered down Alex Turner vocal over the top. Worst of all, Turner is verging towards a worrying mid-lantic accept from his native South Yorkshire twang. Whilst that may have been at home on the Last Shadow Puppets album, it just sounds banal here.
I think the moral of this tale is not to worship the output of a band just because of who they are. If they're recorded something that is shit, don't play it just because the band is fashionable. Likewise, don't ignore something good because a band isn't fashionable. And most importantly, a song isn't brilliant just because it has been used on an Apple commercial.
I think the moral of this tale is not to worship the output of a band just because of who they are. If they're recorded something that is shit, don't play it just because the band is fashionable. Likewise, don't ignore something good because a band isn't fashionable. And most importantly, a song isn't brilliant just because it has been used on an Apple commercial.
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